Thanks for stopping in, Marisa and Friends!
Here you'll find a more detailed resume, a commercial headshot and some selected on-camera clips. I hope you enjoy them. I hope you enjoy everything all the time forever, to be honest. There's also a lovely peacock at the bottom of the page that I hope you get a kick out of.
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Comedy Reel:
Commercial Reel:
Recent Projects:
Underscore Theatre Company’s production of The Ballad of Lefty and Crabbe has been nominated for 7 categories in the non-equity Jeff awards!
“Standouts in the ensemble include Brian Huther, who accompanies the scenes onmultiple instrumentsranging from accordion to piano to ukulele... Huther adeptly manipulates his vocal resonances for different roles.”
-Chicago Theatre Review
we must bring our own sense of what is meaningful to the work: we must find the space where the character’s “why” overlaps the most strongly with our own. This is why acting should be physically exhausting. Because the actor’s body, her struggles, his hopes, their attention and love are the fuel that keep the fires of tension burning.
Suddenly the scene took us somewhere and the characters had been changed by the end of it. By investing more fully in an immediate goal that I felt capable of achieving, every move my partner made was important to me: it told me how close I was to getting what I wanted.
I've been accepted into a nifty little playwrighting program at the New Colony. I'll be attending weekly meetings with about a dozen other writers to share pages and feedback.
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In March, I began interning at Paskal Rudnicke Casting in Chicago. Since then, I've observed or participated in every stage of the casting process and seen hundreds of auditions by Chicago actors at every career level for all kinds of projects (TV, Film, Commercial, Industrial and Theatre.)